She was a model, posing for painters or sculptors-among them Edgar Degas.ĭrawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art. She had been working another job, even two, because the few pennies the Opera paid weren't enough to keep her and her family fed. She was fired after several years of intense labor the director had had enough of her repeated absences. Laurens paints a compelling portrait of Marie van Goethem and the world she inhabited a time when art unsettled the hypocrisy of society. In the 1880s, she danced as a "little rat" at the Paris Opera, and what is often a dream for young girls now wasn't a dream for her. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did-because it was already grueling work, at an age when children today are sent to school. This absorbing, heartfelt work uncovers the story of the real dancer behind Degas's now-iconic sculpture, and the struggles of late nineteenth-century Parisian life. So explains author Camille Laurens in Little Dancer Aged Fourteen, a new book on the life of Degas’ most easily recognizable subject, whose name Marie van Goethem is nowhere near as.
0 kommentar(er)
